Music Box – Salome

Salome

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Salome, Acrylic on paper, 70 x 35 cm

The original play ‘Salome’ was written, in French, by Oscar Wilde. Richard Strauss saw the play and immediately set to work on producing a German operatic version. It was duly performed in 1905.
What with a heady mix of the biblical, the erotic, and the murderous all wrapped up in splendid music it was controversial to say the least, and banned in London until 1907.
Towards the end of the opera, after quite a bit of to-ing and fro-Ing, Salome, who must have been quite a girl, performs the then startling ‘dance of the seven veils’ before the besotted King Herod, finishing up lying naked at his feet.

Herod then promises to grant her most desired wish….. which, of course turns out to be the head of John the Baptist. Said head is duly delivered and is fervently kissed by Salome. Goodness. The climatic music is extraordinary, a much debated chord seems to echo the degradation of Salome. This lowly state does not last long, the lovely girl being crushed under the shields of the soldiers. Not too many jokes, but wonderful stuff.

This painting is currently available to purchase / for exhibition. Please contact me for more details.

The clip below is taken from the official youtube channel of the Royal Opera House.

 

Music Box – Gotterdammerung

I often listen to music as I paint…

Gotterdammerung

This painting was prompted by the closing pages of Wagner’s great Ring cycle.

Brunnhilde orders a huge funeral pyre to be built by the river Rhine.
Eventually she lights the fire, mounts her horse and rides into the fire to be consumed by the flames. The opera concludes with the glorious music of the Rhine
overflowing its banks and extinguishing the blaze.

Gotterdammerung

The first Wagner I heard was at primary school age. It was the introduction to Das Rheingold. I had never heard of Wagner, just loved the stuff.
The horns and lower strings transport the listener to a magical world, rather like watching the time lapse growth and metamorphosis of some fabulous plant. Ravishing.

The clip below is shared from youtube.

 

 

 

Artwave @ The Quadrangle

 

18 August – 2 September 2018

The Quadrangle, Ailies Lane, East Hoathly, BN8 6QP

Across two large studios in an idyllic location in the heart of the East Sussex countryside, three contemporary artists share their unique take on abstraction. From expressionism to geometric, and utilising a range of techniques and mixed media, their work explores different styles and crosses over in unexpected ways.

Meet with and chat to the artists, view an exciting range of vibrant and thought provoking work, and soak up the calm and creative atmosphere of this unique corner of Sussex.

Original artwork for sale at varying prices, along with affordable prints and cards. Browsers also welcome!

The artists:

Chris Mansell MA

Chris Mansell graduated with a masters from the Royal College of Art. His abstract paintings combine painterly techniques with printing, and play with both minimalism and expressionism. Having worked for many years as a technician in a number of arts institutions, his deep knowledge of techniques gives depth and integrity to his work.

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“I suppose I have been, mainly, influenced by the painterly abstractionists, like De Kooning and Rothko, but my favourite work still decorates the cave walls at Altamira and Chauvet. I will never tire of looking at these images from 35,000 years ago which are still as sophisticated as anything which has happened since.”

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Abi Myers

 

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Although working largely within the abstract aesthetic, there are many underlying themes and inspirations behind Myers’ work. Interests in literature, psychology and conceptual art combine with a passion for colour, shape and the exploration of composition to create works which are both visually stimulating as well as being an expression of concept.

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Spray paints, acrylics, emulsions, marker pen, and other mixed media combine to create impactful contemporary abstract paintings.

Abi Myers graduated with a BA Fine Art from Portsmouth University in 2003. Alongside her own artistic practice she assists other artists and arts institutions.

www.abimyersart.com

 

 

David Armitage

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Armitage has been working as a professional artist and illustrator for several decades, and the relationship he has built up over time with this most primary of artistic mediums has been a balance, with Armitage mastering the use of colour and mark, whilst accepting his part as slave to the medium, inviting accidents as part of the creative process.

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Both abstract and more figurative works are inspired by various sources, including travels to other countries, shrines, landscapes, people and tragedy. Large scale colour-scapes are his metier, but he is also finding ways in which to distill the same energy, space and depth into smaller scale works.

Armitage has received much critical acclaim for both his painting and illustrative works, and has exhibited both nationally and internationally.

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The exhibition runs as part of Lewes Artwave Festival 2018. There are many other open studios nearby, please see their website for details, trails and maps.

Open daily from 18 August – 2 September, 11am – 5pm. Free entry. All welcome. There are no stairs, but the ground is uneven in parts. Purchases by cash / cheque.

Music Box

The vexed question of ‘titles for paintings?’ is a very old friend. The works I produce are, by their very nature, ambiguous and non-specific. They can sit happily with double identities or no identity at all. After all, they are paintings, not pictures. Self-contained worlds in other words. To complicate matters, no matter what they are called, the subliminal undercurrent that pervades them all, is music.

‘Music Box’ is a collection of works where these links are quite obvious and I have provided a brief note of a more direct connection with particular bits of music. The proud owner of one of these huge works said: ‘forget all that tosh, I love the marks and the colour, sod the rest’. Never mind.
This is tricky territory; the Art Bollocks Cultural Police are always on the lookout for this sort of thing, and quite right too.

PETRUSHKA

This ballet/ burlesque was composed by Stravinsky in 1910/11. It tells the story of three puppets who are brought to life. They are Petrushka, the Ballerina and the Moor.
Petrushka loves the Ballerina but she rejects him in favour of the Moor.
Petrushka challenges the Moor but dies in the attempt to vanquish him.
As night falls Petrushka’s ghost rises above the theatre before collapsing in a second death.
The ballet is a rich tapestry of wonderful music, dance and design. It’s popularity remains undimmed, as does the attraction of this tragic figure.

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Fragments

New Series of Works Titled Fragments

 

This series of small paintings contain fragments of other works, either in theme, or utilising actual re-worked sections of larger paintings. Some have repeated iconographies,  and contain collage and appropriated elements.

Fragments

The paintings themselves are on paper, which is then mounted onto small square canvases, so that there is no glass interrupting the viewer’s experience of the textures and intensities of colour inherent in the work.

Scroll down for individual photos and titles of each piece. These will be available to view along side larger work, in my studio during Artwave from 18 August, or at any time by appointment. You can also contact me by email if you are interested in exhibiting or purchasing any of my work.

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Table by the Window 2
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Mosaic, Sicily 1
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Still Life with White Vase
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Toreador
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Harbour
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Garden With Fence
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Table by the Window 1
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Chrysalis
Evening Scapa Flow
Evening / Scapa Flow
Bird Bath
Bird Bath

In Vino Veritas

Episode 8

A year of working in the theatre was drawing to a close. It was time to move on and go and see, for real, the artworks that I had been studying. Theatre life had been good, not only the painting, but also doing behind the scenes drawings of touring dance companies, the Russians in particular.

Working on a pantomime was great fun and was to have later repercussions. This one was all about the sea, with submerged wrecks, sea creatures, all manner of sailing ships and, of course, lighthouses.
Some things still stay with me.

1. How to get a dead level horizontal line running across 10 metres of stretched canvas.
I bet Raphael and his mates did this in Renaissance times. Simply attach a cord to the correct height at either end, ‘chalk’ and tension said cord. Stand in the middle, pull the cord back like a bowstring and let it go. SNAP! There is your line.
2. Painting scrims was also fun. This involved painting on an open weaved fabric (difficult), but when completed, if it was lit from the front it could be a brick wall, lit from the back it virtually disappeared.
3. My last theatre experience. This was at a different theatre and consisted of a one- man show of the most withering satire on Australian life. This guy was stunning, a class act. His name? Barry Humphries.

OK. How to get to Europe? The Boeing 707 was well and truly around by now, but pricey. The next cab off the rank was the good ship Ellinis. If one thumbs through the current crop of cruise liners, at jaw dropping prices, it might be tempting to put the Ellenis in this class. Not quite. Somebody less charitable than me described it as 8 million rivets sailing in formation. Unfair and untrue.

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Prospects of loads of female company for the best part of a month lent a certain sense of anticipation to this sojourn. What diminished said keenness was, to put it mathematically, the male/ female numbers ratio.
It was lopsidedly male.
WHY?

Rare Work Available!

Having recieved a message from a collector of my work, who needs to downsize, there are a few older paintings available to purchase. This does not happen very often! And it is interesting to see the transition and development of my work. Email me if you are interested in purchasing any of the following: