Die Schone Mullerin

I have just completed the third book of illustrations based on Schubert song cycles. Winterreise was the first Schubert book I created, followed recently by Schwanengesang. This third book reflect Schuberts first song cycle Die Schone Mullerin based on the poems by Wilhelm Muller.

Below are a few of my paintings, accompanied by excerpts of the text, translated by Celia Sgroi. You can also read more about my process in creating the paintings for all three books here.

David Armitage The Beautiful Miller’s Daughter Die Schone Mullerin

Wandering is the miller’s joy,
Wandering!
A man isn’t much of a miller,
If he doesn’t think of wandering,
Wandering!

1. Wandering
David Armitage The Beautiful Miller’s Daughter Die Schone Mullerin

Did she send you to me?
Or have you enchanted me?
I’d like to know,
Did she send you to me?

4. Gratitude to the Brook
David Armitage The Beautiful Miller’s Daughter Die Schone Mullerin

Now shake off the veil of dreams
And lift yourselves fresh and free
In God’s bright morning!
The lark circles in the sky
And sings from the depths of its heart
The sorrows and cares of love.

8. Morning Greeting
David Armitage The Beautiful Miller’s Daughter Die Schone Mullerin

What is the hunter doing at the mill stream?
Bold hunter, stay in your forest preserve!
There’s no game here for you to hunt,
There’s only a doe here, a tame one, for me,
And if you want to see the dainty doe,
Leave your rifle behind in the woods,
And leave your barking dogs at home,

14. The Hunter
David Armitage The Beautiful Miller’s Daughter Die Schone Mullerin

Oh green, you hateful color, you,
Why do you keep staring,
So mocking, so proud, so pleased by my pain,
At me, a poor pale man?

17. The Hateful Colour
David Armitage The Beautiful Miller’s Daughter Die Schone Mullerin

And when love frees
Itself from pain,
A little star, a new one,
Twinkles in the sky;
And three roses spring,
Half red and half white,
That never wither,
From the thorny stem.
And the angels cut off
Their wings
And every morning
Go down to earth.

19. The Miller and The Brook

Die Schone Mullerin will be available soon and will join Winterreise and Schwanengesang on my online shop, where you can also purchase original paintings and prints.

If you are interested in a particular work, please contact me.

Below is a short excerpt of Schubert’s Die Schone Mullerin, performed by Thomas Quasthoff at the Verbier Festival in 2009

Lockdown with Schubert

This is how I am occupying myself during the lockdown. For information on my postponed exhibition see this post: Oxford Exhibition June 2020

Monoprinting in the studio

Having just completed a second book of illustrations for Schubert song cycles, I have now embarked on a third, which in this case is a prequel. I began with Winterreise in 2016. Apart from loving this stuff, I identified strongly with the ‘hero’ of this cycle, possibly stemming from an introverted childhood and spending endless days day dreaming on how things ought to be. In other words, knowing this ‘yearning’ thing which Schubert realises so completely.

Winterreise – A Winter’s Journey

The book has been well received, and after the illustrations were featured on https://winterreise.online/ – an online encyclopedia of Winterreise information and rescources – I was spurred on to create a follow on book, Schwanengesang.

These illustrations are set to Schubert’s final song cycle, which was published posthumously and therefore there is considerable fluttering in the Schubert dovecotes regarding the validity of the term ‘song cycle’ in connection with the latter, in that it is more a collection of songs and put together by somebody else. Dr Iain Phillips, author of the websites dedicated to cataloguing the work of Schubert, however has firmly aligned himself with the song cycle having launched his third Schubert website https://schwanengesang.online/
As far as I am concerned, they are right up there, whatever the title, a point re-inforced by the splendid recording by Fassbaender and Riemann. DG 1992.

Schwanengesang – Swan Song

My third set of illustrations are therefore inspired by Schubert’s first song cycle, Die Schone Mullerin (the beautiful maid of the mill). This is a challenge that will certainly keep me busy in lockdown! But the inspiration provided by the music is as ever a guiding light.

The paintings start out, with a now well practiced technique that relies heavily on accident. Conceived totally in the abstract, the figurative elements come later.


So, armed with a single sized glazed window, a rickety table, loads of acrylic inks , brushes, rags,3 in 1 oil, detergent, 300 gsm Arches watercolour paper and buckets or water, I can produce multiple images by the simple process of mono-prints. The inks are splashed or poured on to the wet glass, oil, detergent can be thrown in for good measure. The paper is then thoroughly doused in water and pressed face down on to the glass. Peel it off, and there it is, or isn’t.

Certainly 2 things happen at once. The tyranny of white paper is strangled at birth and stunning pictorial elements appear which one would never, ever, have consciously thought of. Should the result look like a river flowing upside down, the paper can be hosed down and re-cycled. (This has been demonstrated to year 2 and 3 kids who loved watching this and having a go themselves).

The resulting images contain a huge range of colour/tone relationships and differing moods… some may profit by being turned upside down.
Then, one hears the sound of wedding bells as protracted marriage ceremonies leads to pairing each painting with its counterpart in the verses. Most marriages are made in heaven but a few needed a bit of an academic shove here and there to be true to the text. The alchemy is to convey the spirit of the words and the music but preserve the equally huge disinterested power of abstraction… tricky. But conventional picture making would simply not cope with this exalted subject matter. It is also a good way of avoiding a couple of bete-noirs, technical skill and good taste.