Past Controversies!

‘Those paintings, how they arouse people’

Back in 1973 I won a prize at the North Shore Arts Festival in Auckland. My painting was considered by some to be quite controversial at the time and it has certainly been eye opening (and perhaps shocking!) for my assistant who has been reading and copying the old newspaper clippings and articles from that time.

As yet I have been unable to locate a colour image of the painting, but the colours would be similar to those in this blog post about some other works of mine from that period, which are still in the collection at the Auckland Art Gallery Toi O Tamaki

Below are a few of those newspaper articles and clippings which I have kept in a scrap book for many years, but which my assistant insisted must see the light of day – she seemed to find it fascinating and thought others would too.

Note the wonderful composition of this photograph with the head of Festival President Ron Forbes covering the ‘offending’ area!
The article is from the North Shore Times, February 1973.

It seems I caused rather a stir, some of the opinions written in to the papers are hilarious – or infuriating – depending on your viewpoint.

This – signed ‘Not a Prude’ – is a particularly ugly example (the original clipping is rather damaged so I will quote a section):

Two ugly, course, grotesque figures, sprawled out, one in a most disgusting attitude, and not in any way pleasing to the eye…. why not paint two nice young girls (nudes, if he likes) with lovely long flowing hair, throwing a beach ball.

From the opinion s section of the North Shore Times Advertiser,
February 1973

I feel that the author of this letter has said a lot more about himself than the painting – and not in a good way!

Here is a more positive one though:

In fact there were many positive responses, and the painting was bought by Grahame Chote, collector and director of the International Art Centre, Auckland. I recently got in touch with his daughter Fran Davies who is now the director, and she was able to provide me with this image of the painting in their downstairs gallery in the early ’70’s.

Image supplied by International Art Centre, Auckland, New Zealand. 

The following article is Grahame’s response in the Auckland Star, to the controversy surrounding the painting.

And from the newsletter:

He was not the only interested party:

I would love to know who those ‘American tourists’ were! [Ed.]

However, the controversies continued:

You never would have thought I was such an enfant terrible in my youth… would you??!!

Collections

The wonderful Auckland Art Gallery Toi O Tamaki still has a few of my early pieces in their collection. Nice to know someone still loves me!

Table and mirror and a green interior, 1973, Dye on canvas, 1785 x 1632 mm
Iris, 1972, Acrylic on canvas, 1756 x 1422 mm
Interior with chair, 1970, Dye on canvas, 1829 x 2159 mm
Girl on a bed, 1973, Acrylic on canvas, 1855 x 5025 mm

https://www.aucklandartgallery.com/explore-art-and-ideas/artwork/12652/girl-on-a-bed

Greetings from Tasmania

Part 1

I have taken a trip back to my native Tasmania for a few weeks and have been with my old art school mate. He has unearthed some ancient stuff… all done around 1964/5. A mixture of painting, linocuts and chalk sketches. Some of it’s not bad, if I do say so myself!


Snooker Player; 180 x 150cm

Somewhat reminiscent of our old chum Bacon? Who was a huge influence on me can you tell?!!


Towel; linocut; 100 x 70

Caged Bird Singing; linocut; 100 x 70

Fence; linocut; 70 x 100

Wrestlers; chalk; 40 x 20

The above sketch was a study for a painting which was acquired by the Dunedin art gallery. (A few years ago!)


Life study; conte; 40 x 20

Vietnam; chalk; 30 x 20

Momento Mori. Goodbye Francis.

OK, so he eventually drowned in his own polish, but he was way ahead of whoever  was in second place.

Memento Mori / Goodbye Francis. Acrylic and dye on canvas. 108 x 87 cm. David Armitage.