Much Anticipated

You may or may not have heard the rumours – but YES we are working on a new Lighthouse Keeper book!!!

Thought I’d been a bit quiet recently? Here’s why:

Visuals for the *new book* spread across my studio floor!

You may or may not have heard the rumours – but YES we are working on a new Lighthouse Keeper book!!!

Scholastic came to us a several months ago and took us for a lovely dinner, a new book was suggested and we agreed upon a concept, which as you will see has a very important and topical theme.

Ronda’s done her bit, so now it’s up to me to do justice to her words with some illustrations, with the Lighthouse Keeper brand of colour, detail and humour.

It’s wonderful to be creating a new book, having recently celebrated 40 years since the first Lighthouse Keeper book was published, and to know that new generations of readers are discovering a love of reading through our books.

We’re currently looking at a release date sometime in spring 2020, which will hopefully coincide with a large exhibition of mine featuring original illustrations from the new book. So watch this space for more details in due course.

Winterreise – A Winter’s Journey

A winter – themed post on this frosty morning. Excerpts from my book of illustrations inspired by the Schubert song cycle.

In 2016 I was inspired to create these illustrations by the wonderful imagery contained in Winterreise. This timeless song cycle for voice and piano, composed by Franz Schubert, was published in 1828. It consists of a setting of 24 poems by Wilhelm Muller. I produced a set of illustrations which are presented alongside Muller’s words, translated into English by Celia Sgroi. The resulting book can be purchased direct from myself. The original illustrations and giclee prints are also available. Email me for further details.

The illustrations are now also available to view on https://winterreise.online/. The site is the work of the wonderful Iain C Phillips, and is an amazing resource for all things Winterreise, including discography, texts and papers, along with other illustrations and artworks.

Below are some of the illustrations from my book, along with excerpts from the poems.

I cannot choose the time

To begin my journey,

Must find my own way

In this darkness.

Frozen drops are falling

Down from my cheeks.

How could I not have noticed

That I have been weeping?

In a charcoal-burner’s tiny house

I have found shelter;

But my limbs won’t relax,

Their hurts burn so much.

You, too, my heart, in strife and storm

So wild and so bold,

Feel first in the silence your serpent

Stir with burning sting!

So I travelled my road

Onward with sluggish feet,

Through bright, happy life,

Lonely and unrecognised.

A light does a friendly dance before me,

I follow it here and there;

I like to follow it and watch

The way it lures the wanderer.

Ah, a man as wretched as I am

Is glad to fall for the merry trick

That, beyond ice and night and fear,

Shows him a bright, warm house.

And a loving soul within –

Only illusion lets me win!

My way has led me

to a graveyard;

Here I’ll stop,

I told myself.

You green and mourning garlands

must be the sign

That invites weary travellers

into the cool inn.


Song: Schubert: The Winterreise D911: I good night
Artist: Christoph Prégardien & Andreas Staier
Licensed to YouTube by WMG (on behalf of Teldec Classics International)

The book was first published in 2016 by LKL Publishing and is available direct from the author.

Illustrations © 2016 David Armitage

ISBN 978-1-5262-0322-9.

Translation courtesy of Celia Sgroi © 2005


I have also illustrated many successful childrens books, such as the Lighthouse Keeper series and Queen of the Night. See Illustration in the header menu.

Individual original abstract paintings have also been inspired by particular pieces of music. You can see more of these in the Music Box category, under My Artworks.

The Lighthouse Keeper’s Christmas

It’s a proper Christmas after all, presents AND snow!

This is the 9th and most recent Lighthouse saga. It is only a mere 16 years old and has some way to go to catch up with it’s illustrious 41 year old cousin.
Good advice to a budding illustrator…. ‘Probably the best way to produce a picture book is to write and illustrate it yourself.’ Failing that, a close second is to marry or live with a top class children’s writer. That way help is always at hand! Is it ever. A down side can be the fact that most writers have a very strong visual sense and this is never more so than when their lovely text seems to lack sufficient illumination. This can lead, very infrequently, to either polar or tropical exchanges. But, after 40 years and a third generation of readers about to arrive, the world of the lighthouse keeper is as real to the creators as it is to the children. Mess with this institution at your peril. One’s audience would not stand for it.


The principal characters, Mr and Mrs Grinling, seem to have precious little in the way of an extended family. We are often quizzed about this by our young readers.
Certainly Mr Grinling has a great- nephew George, and in this story the little chap spends his Christmas at the lighthouse. And what a visit.
When the text is as good as this, the story illustrates itself.

One further reflection on working with children. A packed assembly hall, a presentation based on the ‘Christmas’ was well underway. I had produced a large seaside ‘skeleton’ outline and the children suggested various sea creatures et. al. to be included n the picture. Suggestions piled in at the rate of knots, so much so that I asked a 6 year old to wait for a bit as I was getting behind.
Silence. She then stood up, turned to the assembled throng and, in a stentorian bellow, declared:

‘HE CAN’T MULTI- TASK!’

Convulsed with laughter, I dropped all my pens.

The Lighthouse Keeper’s Christmas is available from Waterstones, amazon and other good bookshops, or direct from the author.

Take a look at my other illustrations and artworks, or follow my life story – In Vino Veritas.

My Cat Charlie

Charlie is my cat. He’s big and black and soft and he’s my best friend.

‘The vivid, impressionistic illustrations with details that stand out from the colour-washed background support the emotions expressed so well in the text. Outstanding’

Books For Keeps

A little girl is moving house to go and live in the city. But she knows she can’t take her cat who would be very unhappy. So full of sadness and regret, she leaves him with her cousins. All her favourite games were with Charlie. What would she do in the city? Who would she play with? But city life has other excitements Soon she has new friends and new games and while the place in heart for Charlie remains strong, and she visits him as often as she can, she learns that he can be her friend without being with her all the time. Beautiful illustrations complement this moving text which deals gently with two topics which can be a source of anxiety for children: friendships and moving house.

-from amazon.co.uk

Concept sketch of Charlie
The opening spread from the book

Author Becky Edwards

Published by Bloomsbury 2001

ISBN:  0747550182

Available from amazon

Studio Shows

Episode 1

I first started my studio shows about 1980. Why? Dealers and I have never had a meaningful relationship, indeed, apart for a couple of minor skirmishes, one could say no relationship whatsoever, a state of affairs not likely to change. This isn’t a personality based phenomenon as far as I can tell.

So, why?

For many years I worked as a jobbing illustrator. At times this could be stressful, to say the least. A phone call on Sunday evening. Who could that be I wonder? The caller, an agent, comes straight to the point.

‘Right, David, we need an A3 4 colour spread of….(take your pic)… a snow scene / children playing / an exotic forest / Greeks / Romans / Victorian slums / a moody sea scene / dogs / ducks or general livestock / portraits of war poets / airships and balloons / a Romanesque basilica / a street scene / a gooey sunset….etc. etc.’
We need it NOW, please, and… if you could courier it over by lunchtime tomorrow that would be terrific. The client will be lobbing in about 2pm. No time for visuals or scamps. Bye’.

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Socialising grinds to a halt, back to the studio. Job is done to the accompaniment of an out of tune tawny owl. My motorcycle mate arrives at 10 a.m. to collect. (Wi- Fi has changed all that.) I have breakfast and get on with a bloody great ‘Pirates of the Caribbean’ pic which was way overdue. What was good about all this? It paid well. The downside? One develops a pathological dread of forever doing this kind of stuff. If I see a load of this , or similar ilk, at any dealers, (quite right and proper from their point of view). I thank God, with all my heart, that I will never have to knock out these sort of pictures again. EVER .
Besides, there are loads of highly trained seals who are also really good at this, and they enjoy it! Good for them.

Amongst all of this, illustrating children’s books, a totally different discipline and for a much tougher audience, proceeded rather well to say the least, and still does. More of this anon. Finally, the discipline of painting was also prosecuted to a greater or lesser degree. I still want the painter to create a new magical world of their own, not merely illustrate, more or less, the one we just happen to inhabit. Pictures in other words. That’s easy.

Anyway back to the studio shows. These are, and still are my shop front, so to speak. These were/are a happy melange of painting, children’s illustrations, life drawings and cartoons. A lot of fun can be had juxtaposing a 5 metre abstract painting with some little A4/fragments and a load of children’s illustrations.

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Audience reaction or lack of it is wonderful. I have invented a ‘shortest viewing time competition’. The current record is 2.4 seconds (viewed from the doorstep) but that will be bettered. The other great obstacle is the husband/wife dynamic. An example:

They appear. Wife sees a 1.5 metre -ish painting to die for. Hubby a slab of indifference. A tape measure was produced, the problem of furniture moving discussed at some length, generating conviction and increasing volume. Then, the matter was decided. The price agreed, a mere snip at 8 grand, a cheque written. Delivery sorted… I immediately thumbed through the en primeur wine lists and told the bailiffs to call off their dogs.

Next morning the cheque was cancelled. Never mind. I have been there, on a lesser scale, many times, and doubtless will do so again.