2020 Review

Well, crikey what a year!

We all wait indoors for our post to arrive – perhaps we should have brought back the pigeons to give the postie a rest! (Image from Schwanengesang)

I don’t think anything has gone to plan for anyone this year. I never would have thought back in January, when planning my big Oxford exhibition, of the dark and difficult days this year would hold.

You Green and Mourning Garlands, Winterreise

Firstly I want to say a big thank you to everyone who has continued to support the Arts this year in any way they could. And in turn I hope that us artists have been able to provide you some beauty and solace; some light in the darkness.

To everyone who has continued to work; from NHS staff, delivery workers, and teachers, to gallery owners and event organisers a huge thank you.

Detail from Aurora.

Alongside planning for my Oxford exhibition, I had two large illustration projects. Last year myself and Ronda were asked by Scholastic to create a new Lighthouse Keeper book. From the germ of an idea about ocean pollution came The Lighthouse Keeper’s Mystery, 43 years after our first book, and with a poignant message about protecting our environment.

The second project was to complete the illustrations for my third Schubert book, Die Schone Mullerin. Being in Lockdown actually provided the time to focus on this, and using the wonderful music as inspiration the images flowed out naturally. After completing the paintings, it was then the task of my great friend and graphic desinger Paul Hayes to compile and arrange them into book format, with the text from the peoms alongside.

Both books were printed just in time for my exhibition in Oxford which featured some of the original illustrations.

I feel very fortunate to have been able to continue to show my work this year. My exhibition at The Jam Factory in Oxford was pulled together within weeks thanks to a passionate team. Having been delayed and close to being cancelled, as the first lockdown lifted we all sprung into action to get the show marketed and hung. With three exhibition spaces spread across the venue, it was ideal for showcasing my wide range, from illustrations to large abstracts. The paintings shone in that wonderful space and I was very pleased to receive positive attention from the press, as well as the many visitors.

The Boiler Room at The Jam Factory, Oxford

Hot on it’s heels was Lewes Artwave. With a few Covid safety adjustments, the studio welcomed many visitors – all masked of course! But that did not stop many interesting conversations, and a few sales. (More on that below.)

Left to Right: Auto Da Fe; Initiation Figure; Azrael/Queen of the Night; Catedral, Listening to Bruckner

Lockdown 2.0 put an end to my idea of an additional studio show for Christmas, so I turned my attention online. I joined the dreaded Twitterati! And I am building up my online shop, which now has a selection of quality giclee prints, as well as my Schubert illustrated books.

Stuck indoors again! (Image from Winterreise)

Lastly a special thank you to my patrons and followers. Your support is ever appreciated, and I have happily sold many paintings this year, large and small. I hope that my work has enriched your homes (god knows we could all do with a change from staring at the same four walls!!) and lifted your spirits.

Below is a selection of the work I have sold this year which now resides in homes as close as down the road and as far away as New Zealand.

Best wishes to you all for the Holiday season and here’s to vaccines and a better 2021! I shall now be putting my feet up next to the fire with a large glass of fruity red.

Die Schone Mullerin

I have just completed the third book of illustrations based on Schubert song cycles. Winterreise was the first Schubert book I created, followed recently by Schwanengesang. This third book reflect Schuberts first song cycle Die Schone Mullerin based on the poems by Wilhelm Muller.

Below are a few of my paintings, accompanied by excerpts of the text, translated by Celia Sgroi. You can also read more about my process in creating the paintings for all three books here.

David Armitage The Beautiful Miller’s Daughter Die Schone Mullerin

Wandering is the miller’s joy,
Wandering!
A man isn’t much of a miller,
If he doesn’t think of wandering,
Wandering!

1. Wandering
David Armitage The Beautiful Miller’s Daughter Die Schone Mullerin

Did she send you to me?
Or have you enchanted me?
I’d like to know,
Did she send you to me?

4. Gratitude to the Brook
David Armitage The Beautiful Miller’s Daughter Die Schone Mullerin

Now shake off the veil of dreams
And lift yourselves fresh and free
In God’s bright morning!
The lark circles in the sky
And sings from the depths of its heart
The sorrows and cares of love.

8. Morning Greeting
David Armitage The Beautiful Miller’s Daughter Die Schone Mullerin

What is the hunter doing at the mill stream?
Bold hunter, stay in your forest preserve!
There’s no game here for you to hunt,
There’s only a doe here, a tame one, for me,
And if you want to see the dainty doe,
Leave your rifle behind in the woods,
And leave your barking dogs at home,

14. The Hunter
David Armitage The Beautiful Miller’s Daughter Die Schone Mullerin

Oh green, you hateful color, you,
Why do you keep staring,
So mocking, so proud, so pleased by my pain,
At me, a poor pale man?

17. The Hateful Colour
David Armitage The Beautiful Miller’s Daughter Die Schone Mullerin

And when love frees
Itself from pain,
A little star, a new one,
Twinkles in the sky;
And three roses spring,
Half red and half white,
That never wither,
From the thorny stem.
And the angels cut off
Their wings
And every morning
Go down to earth.

19. The Miller and The Brook

Die Schone Mullerin will be available soon and will join Winterreise and Schwanengesang on my online shop, where you can also purchase original paintings and prints.

If you are interested in a particular work, please contact me.

Below is a short excerpt of Schubert’s Die Schone Mullerin, performed by Thomas Quasthoff at the Verbier Festival in 2009