Firstly I hope all of my followers are safe and well at this difficult time and I wish you all the best.
It is looking likely that my next exhibition, due to hang at the end of May will be postponed. I hope to have more definite information soon, and will keep you updated. In the meantime, here are a few paintings which I hope will be in the exhibition WHEN it happens!
Also I have a new item in my shop – my latest book Swanengesang. More on that later. Please do keep following my blog and instagram, where I shall try to give you beautiful things to look at. Art can be a great comfort and fulfillment for the soul as well as keeping the brain active, so I shall try to do my part the best way I can.
Back in 1973 I won a prize at the North Shore Arts Festival in Auckland. My painting was considered by some to be quite controversial at the time and it has certainly been eye opening (and perhaps shocking!) for my assistant who has been reading and copying the old newspaper clippings and articles from that time.
As yet I have been unable to locate a colour image of the painting, but the colours would be similar to those in this blog post about some other works of mine from that period, which are still in the collection at the Auckland Art Gallery Toi O Tamaki
Below are a few of those newspaper articles and clippings which I have kept in a scrap book for many years, but which my assistant insisted must see the light of day – she seemed to find it fascinating and thought others would too.
It seems I caused rather a stir, some of the opinions written in to the papers are hilarious – or infuriating – depending on your viewpoint.
This – signed ‘Not a Prude’ – is a particularly ugly example (the original clipping is rather damaged so I will quote a section):
Two ugly, course, grotesque figures, sprawled out, one in a most disgusting attitude, and not in any way pleasing to the eye…. why not paint two nice young girls (nudes, if he likes) with lovely long flowing hair, throwing a beach ball.
From the opinion s section of the North Shore Times Advertiser, February 1973
I feel that the author of this letter has said a lot more about himself than the painting – and not in a good way!
Here is a more positive one though:
In fact there were many positive responses, and the painting was bought by Grahame Chote, collector and director of the International Art Centre, Auckland. I recently got in touch with his daughter Fran Davies who is now the director, and she was able to provide me with this image of the painting in their downstairs gallery in the early ’70’s.
The following article is Grahame’s response in the Auckland Star, to the controversy surrounding the painting.
And from the newsletter:
He was not the only interested party:
I would love to know who those ‘American tourists’ were! [Ed.]
However, the controversies continued:
You never would have thought I was such an enfant terrible in my youth… would you??!!
This painting is titled after Schoenberg’s entrancing chamber piece, composed for six strings, and inspired by the poem by Richard Dehmel.
This is a wonderfully atmospheric evocation in which a woman shares a dark secret with her new lover as they walk through a dark moonlit forest.
Could be mawkish, but isn’t.
The painting responds to the ambiguity and mystery of a moonlit landscape/ garden with the tonal and sliding colour modulations reflecting the rich chromatic language and the implied narrative in the music. A painting is a painting, music is music, but more often than not, I find it hard to separate the two. But, why should I?
In recent years the music has also inspired a dance piece choreographed by Rambert dance company.
See more of my paintings inspired by classical music in the Music Box category
My latest series of paintings, inspired by landscapes and our precious planet Earth. Semi-abstract, giving an impression or an unconventional view.
These paintings are created on paper, utilising techniques which I have developed in both branches of my practice – painting and illustration.
Inks, watercolour, dyes, acrylic and a form of monoprint are combined to give depth and rich colours. High quality aquarelle paper in the perfect base to absorb and hold the vibrant waterbased inks and paints.
My native Tasmania and Australia are still a strong influence. The baked landscapes, colours and forms crop up again and again. The land will remain forever in my blood.
Obviously Sussex, and the landscapes of the South Downs National Park have also been a strong influence. And those who have visited may recognise the looping curves of the Cuckmere.
All of these paintings are mixed media on paper, and can be purchased framed or unframed. A selection are currently on display at Studio+Gallery in Seaford, June 6 – July 7. They are also available individually or as a set for loans or exhibitions. Please contact me for further details.
Many thanks to all those who have already been to see my new exhibition, over in Seaford, at the brand new Studio+Gallery. Below are some shots of my paintings in situ at this lovely exhibition space. All of the paintings are relatively new, mostly created this year, and include work from both the Earth Watch series and the Still Life series.
The gallery is a beautifully renovated space, with crisp white walls and professional overhead spot lighting, which habits the ground floor of a lovely old town house in one of Seaford’s oldest streets. The scale of the space demonstrates how well my work can sit in a more domestic setting.
The float mount used to frame these works on paper, really sets them off perfectly. It’s lovely to see the naturally ruffled edges of the high quality aquarelle paper that I use for these paintings. I also love it against the rough brick wall behind!
Two little stunners, proving you can still get all the colour, depth and interest in a small package. Even in a small space either of these would light up the room.
The exhibition is open Thursday through Sunday up to the 7th July, 11am – 5pm. There are also two artists Q&A sessions, see their website for details.
If you are interested in purchasing any of the work, please contact the gallery.