My latest series of paintings, inspired by landscapes and our precious planet Earth. Semi-abstract, giving an impression or an unconventional view.
These paintings are created on paper, utilising techniques which I have developed in both branches of my practice – painting and illustration.
Inks, watercolour, dyes, acrylic and a form of monoprint are combined to give depth and rich colours. High quality aquarelle paper in the perfect base to absorb and hold the vibrant waterbased inks and paints.
My native Tasmania and Australia are still a strong influence. The baked landscapes, colours and forms crop up again and again. The land will remain forever in my blood.
Obviously Sussex, and the landscapes of the South Downs National Park have also been a strong influence. And those who have visited may recognise the looping curves of the Cuckmere.
All of these paintings are mixed media on paper, and can be purchased framed or unframed. A selection are currently on display at Studio+Gallery in Seaford, June 6 – July 7. They are also available individually or as a set for loans or exhibitions. Please contact me for further details.
Many thanks to all those who have already been to see my new exhibition, over in Seaford, at the brand new Studio+Gallery. Below are some shots of my paintings in situ at this lovely exhibition space. All of the paintings are relatively new, mostly created this year, and include work from both the Earth Watch series and the Still Life series.
The gallery is a beautifully renovated space, with crisp white walls and professional overhead spot lighting, which habits the ground floor of a lovely old town house in one of Seaford’s oldest streets. The scale of the space demonstrates how well my work can sit in a more domestic setting.
The float mount used to frame these works on paper, really sets them off perfectly. It’s lovely to see the naturally ruffled edges of the high quality aquarelle paper that I use for these paintings. I also love it against the rough brick wall behind!
Two little stunners, proving you can still get all the colour, depth and interest in a small package. Even in a small space either of these would light up the room.
The exhibition is open Thursday through Sunday up to the 7th July, 11am – 5pm. There are also two artists Q&A sessions, see their website for details.
If you are interested in purchasing any of the work, please contact the gallery.
Clockwise from top left: Still Life with Ginger Plant, mixed media on canvas, 100 x 76cm; Green Handbag, mixed media on canvas, 76 x 50 cm; Interior with Bed, mixed media on canvas, 100 x 76 cm; Still Life with Window, mixed media on canvas, 100 x 76 cm.
This series of works is inspired by domestic interiors. The simplicity of a bag hanging on the back of a door, an unmade bed, a vase, a table. Colours and forms spring forth and through an abstracted lense can become something beyond themselves.
The tradition of painting still lifes is deeply entrenched in fine art, and indeed has been a recurring element in my own practice over the decades. The colours and forms of real life objects have been inspiring artists for millenia, and I find great satisfaction in finding ways to represent, and suggest those forms in the most expressive way; so that you don’t just see a vase, or a bowl of fruit, or a chair; but you feel it. The expressive marks and deep colours pull you in and come to life, and allow you to make your own impressions of what they are.
I have taken a trip back to my native Tasmania for a few weeks and have been with my old art school mate. He has unearthed some ancient stuff… all done around 1964/5. A mixture of painting, linocuts and chalk sketches. Some of it’s not bad, if I do say so myself!
Somewhat reminiscent of our old chum Bacon? Who was a huge influence on me can you tell?!!
The above sketch was a study for a painting which was acquired by the Dunedin art gallery. (A few years ago!)
Stunning painting, inspired by Giverny, sold to collector.
This stunning artwork has at last found a loving home. A large scale abstract painting, inspired by beautiful Giverny, home of course to the father of impressionist painting, Claude Monet.
Bought by a long – time patron, and art collector, who has had his eye on this painting for some time. It sits perfectly in the space, and I hope will keep it’s new owners happy for many years to come.
It is wonderful to have returning patrons who truly appreciate and admire the painting as an object, as well as appreciating the investment. A piece of original art can make a room and last a lifetime.
Die Schöne Müllerin is a song cycle of 20 songs composed by Franz Schubert. They move from heady optimism to tragedy. A young miller wanders happily through the countryside, soon following a brook which leads to the mill AND the beautiful miller’s daughter. Her response to his approaches is luke- warm and worse, is rapidly supplanted by a green clad hunter. The miller becomes obsessed with the colour green.
In the final song cycle, Des Baches Wiegenlied, our lovelorn suicidal hero gives himself up to the tender clutches of the brook as it meanders through the bleak countryside. The moonlight is reflected back from the flowing water.
It is the brook who sings the lullaby as it embraces the heartbroken miller.
Good night, good night until everything wakes sleep away your joy, sleep away your pain the full moon rises, the mist departs, and the sky above, how vast it is.
Provided to YouTube by Sony Music Entertainment Die schöne Müllerin, D. 795: XX. Des Baches Wiegenlied · Christian Gerhaher · Franz Schubert · Gerold Huber Schubert: Die schöne Müllerin ℗ 2003 Bayerischer Rundfunk Producer: Wilhelm Meister Lyricist: Wilhelm Müller
David Armitage has also produced an illustrated book of ‘Winterreise’, Schubert’s other great song cycle. Follow the blog to see more posts on Winterreise, Music Box, paintings, memoirs and more!