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My Next Exhibition

This exhibition will feature a full range of my work, from book illustrations up to my large abstract paintings. More details to come.

Past Controversies!

‘Those paintings, how they arouse people’

Back in 1973 I won a prize at the North Shore Arts Festival in Auckland. My painting was considered by some to be quite controversial at the time and it has certainly been eye opening (and perhaps shocking!) for my assistant who has been reading and copying the old newspaper clippings and articles from that time.

As yet I have been unable to locate a colour image of the painting, but the colours would be similar to those in this blog post about some other works of mine from that period, which are still in the collection at the Auckland Art Gallery Toi O Tamaki

Below are a few of those newspaper articles and clippings which I have kept in a scrap book for many years, but which my assistant insisted must see the light of day – she seemed to find it fascinating and thought others would too.

Note the wonderful composition of this photograph with the head of Festival President Ron Forbes covering the ‘offending’ area!
The article is from the North Shore Times, February 1973.

It seems I caused rather a stir, some of the opinions written in to the papers are hilarious – or infuriating – depending on your viewpoint.

This – signed ‘Not a Prude’ – is a particularly ugly example (the original clipping is rather damaged so I will quote a section):

Two ugly, course, grotesque figures, sprawled out, one in a most disgusting attitude, and not in any way pleasing to the eye…. why not paint two nice young girls (nudes, if he likes) with lovely long flowing hair, throwing a beach ball.

From the opinion s section of the North Shore Times Advertiser,
February 1973

I feel that the author of this letter has said a lot more about himself than the painting – and not in a good way!

Here is a more positive one though:

In fact there were many positive responses, and the painting was bought by Grahame Chote, collector and director of the International Art Centre, Auckland. I recently got in touch with his daughter Fran Davies who is now the director, and she was able to provide me with this image of the painting in their downstairs gallery in the early ’70’s.

Image supplied by International Art Centre, Auckland, New Zealand. 

The following article is Grahame’s response in the Auckland Star, to the controversy surrounding the painting.

And from the newsletter:

He was not the only interested party:

I would love to know who those ‘American tourists’ were! [Ed.]

However, the controversies continued:

You never would have thought I was such an enfant terrible in my youth… would you??!!

Transfigured Night

This painting is titled after Schoenberg’s entrancing chamber piece, composed for six strings, and inspired by the poem by Richard Dehmel.

This is a wonderfully atmospheric evocation in which a woman shares a dark secret with her new lover as they walk through a dark moonlit forest.

Could be mawkish, but isn’t.

Transfigured Night, Dye and acrylic on canvas, 160 x 140 cm


The painting responds to the ambiguity and mystery of a moonlit landscape/ garden with the tonal and sliding colour modulations reflecting the rich chromatic language and the implied narrative in the music. A painting is a painting, music is music, but more often than not, I find it hard to separate the two. But, why should I?

Arnold Schoenberg “Verklarte Nacht” (Transfigured Night) Op. 4 for String Orchestra
Chamber Orchestra Kremlin; Misha Rachlevsky, conductor

In recent years the music has also inspired a dance piece choreographed by Rambert dance company.

Transfigured Night performed by Rambert dance company

See more of my paintings inspired by classical music in the Music Box category

Collections

The wonderful Auckland Art Gallery Toi O Tamaki still has a few of my early pieces in their collection. Nice to know someone still loves me!

Table and mirror and a green interior, 1973, Dye on canvas, 1785 x 1632 mm
Iris, 1972, Acrylic on canvas, 1756 x 1422 mm
Interior with chair, 1970, Dye on canvas, 1829 x 2159 mm
Girl on a bed (1 of 3), 1973, Acrylic on canvas, 1855 x 5025 mm

https://www.aucklandartgallery.com/explore-art-and-ideas/artwork/12652/girl-on-a-bed

Albania

A tall tale from this ancient Adriatic gem.

Here I am in Albania, going off to set up my big show. (Racy pants)

Just locked up my Albanian studio…

Spotted at the opening of my show!!

The gallery is impressive!…. a bit draughty though…

Lovely Roman ruins….

Lovely gracious rococo hotel with panoramic views…

A review of my show! Seen in the Corfu Chronicle, (hence the Greek.) Still, as you see, it makes good reading.

DISASTER! Artist falls down dis-used mine shaft!

This is my fave AIR B and B so far….

My new best friend Alesia. She is an absolute gem at I.T. ….And publicity for my Albanian show! What a find!

Much Anticipated

You may or may not have heard the rumours – but YES we are working on a new Lighthouse Keeper book!!!

Thought I’d been a bit quiet recently? Here’s why:

Visuals for the *new book* spread across my studio floor!

You may or may not have heard the rumours – but YES we are working on a new Lighthouse Keeper book!!!

Scholastic came to us a several months ago and took us for a lovely dinner, a new book was suggested and we agreed upon a concept, which as you will see has a very important and topical theme.

Ronda’s done her bit, so now it’s up to me to do justice to her words with some illustrations, with the Lighthouse Keeper brand of colour, detail and humour.

It’s wonderful to be creating a new book, having recently celebrated 40 years since the first Lighthouse Keeper book was published, and to know that new generations of readers are discovering a love of reading through our books.

We’re currently looking at a release date sometime in spring 2020, which will hopefully coincide with a large exhibition of mine featuring original illustrations from the new book. So watch this space for more details in due course.

Earth Watch

My latest series of paintings, inspired by landscapes and our precious planet Earth. Semi-abstract, giving an impression or an unconventional view.

Billabong.

These paintings are created on paper, utilising techniques which I have developed in both branches of my practice – painting and illustration.

Inks, watercolour, dyes, acrylic and a form of monoprint are combined to give depth and rich colours. High quality aquarelle paper in the perfect base to absorb and hold the vibrant waterbased inks and paints.

Estuary 2
Oasis.

My native Tasmania and Australia are still a strong influence. The baked landscapes, colours and forms crop up again and again. The land will remain forever in my blood.

River Bend.
Meander.

Obviously Sussex, and the landscapes of the South Downs National Park have also been a strong influence. And those who have visited may recognise the looping curves of the Cuckmere.

All of these paintings are mixed media on paper, and can be purchased framed or unframed. A selection are currently on display at Studio+Gallery in Seaford, June 6 – July 7. They are also available individually or as a set for loans or exhibitions. Please contact me for further details.